New Hobby Unlocked: Finding Sea Pottery on the Beaches in the UK
What is Sea Pottery?
How Does Sea Pottery Get to the Beach?
Here are some of the main ways pottery ends up in the ocean:
Identifying Sea Pottery
1. Material
-
Earthenware: Thicker, heavier, and often white or cream-colored. Common in plates, bowls, and crocks. One type of Earthenware that's common is Spongewear. It's hand decorated with sponges {shockingly!} and was common between 1840-1930. It was very popular in working class and rural homes.
-
Stoneware: Dense, hard, often brown, gray, or tan. It may feature salt-glazed or mottled surfaces.
-
Porcelain: Thin, delicate, and smooth. Often decorated with fine patterns in blue, green, or pink. Transferware is a popular type of pottery that might be found as well. Common in the 19th century it is generally blue and white with a design "transferred" on.
2. Patterns and Glazes
-
Blue Willow & Transferware: Blue-and-white designs are among the most common finds, as this style was mass-produced in the 18th and 19th centuries.
-
Hand-painted Florals: Delicate brushstrokes, often in brighter colors, suggest older pieces or more artisanal wares.
-
Plain Glaze: A single color, such as green, brown, or cream, might indicate more practical pottery, often handmade and called Spongewear.
3. Shapes and Features
-
Rims and Handles: Curved edges can reveal the original form of a bowl or teacup. Handles from mugs are sometimes found intact.
-
Base Marks: Some fragments include part of a maker’s stamp or hallmark, which can help trace the piece to a specific pottery company.
-
Thickness and Curve: The contour of a shard can hint whether it came from a flat plate, a rounded teapot, or a storage jar.
4. Signs of Authenticity
True sea pottery shows signs of wear from tumbling in sand and salt water:
-
Matte finish (not glossy like freshly broken china).
-
Rounded edges (no sharp points).
-
Subtle fading of glaze or color.
5. Spotting Roman Pottery
Roman pottery occasionally turns up in Scotland, especially near ancient settlements, forts, and along rivers or estuaries. If you’re beachcombing near sites once occupied by the Romans, keep an eye out for these characteristics:
-
Samian Ware (Terra Sigillata): A fine red/orange glossy pottery often decorated with relief patterns. Even small fragments may retain the shiny slip.
-
Black-Burnished Ware: Dark gray to black pottery with a burnished (polished) surface. These pieces are usually thicker and heavier than later tableware.
-
Coarse Wares: Rough-textured, utilitarian pottery in shades of brown, gray, or buff. Often thick-walled and undecorated.
-
Distinctive Fabric: Roman pottery often shows small inclusions (bits of grit or sand) in the clay, visible when you look at a broken edge.
-
Shapes: Bases and rims from amphorae (large storage jars) are particularly distinctive, with curved or flared profiles.
If you think you’ve found a piece of Roman pottery, it’s worth taking a clear photo and checking with a local museum or archaeology society before adding it to your collection. These pieces can be important for understanding the history of the site where they were discovered.
Why Scotland is Perfect for Sea Pottery
Scotland’s coastline stretches for thousands of miles, from rocky cliffs to sandy bays. But it’s the country’s long history of coastal living that makes it particularly rich in sea pottery. Many villages relied on fishing, shipping, or trade, leaving behind centuries of ceramic waste that now washes ashore.
Some of the best reasons Scotland is a hotspot:
-
Historic Harbors: Fishing villages and shipping towns often have beaches nearby where waste was historically dumped.
-
Strong Tides: The North Sea and Atlantic waves constantly stir and reshape the coastline, uncovering new treasures.
-
Variety of Coastlines: From pebbly shores to wide sandy stretches, different beaches reveal different types of finds.
Best Places to Look for Sea Pottery in Scotland
-
Fife Coastline: The fishing villages along the East Neuk of Fife, like Pittenweem and Anstruther, are known for sea glass and pottery finds. These towns have centuries of history tied to the sea.
-
East Lothian Beaches: Just outside Edinburgh, beaches like Portobello and Dunbar often produce pottery shards thanks to the area’s long industrial and domestic history.
-
Isle of Iona and the Hebrides: Remote islands have fewer modern beachcombers, so your chances of finding untouched treasures can be higher.
-
Dumfries and Galloway: The Solway Coast, with its shifting tides, can reveal fascinating pottery and glass.
-
Aberdeenshire Coast: Near old fishing towns and harbors, pottery often mixes in with sea glass on the pebble beaches.
Scottish Highlands: Look for areas that had a history with glassworks. I had great success in Plockton, as well as on Chanonry Point.
Tips for Sea Pottery Collecting
-
Check the Tide: Low tide is best, as more of the beach is exposed. Look along the high-tide line, where items are often deposited.
-
Look Among Pebbles: Pottery shards often hide among small stones rather than lying on open sand.
-
Bring a Bag: A small pouch or bag keeps your finds safe (and your pockets free of sand!).
-
Be Patient: Some days you’ll find handfuls, other days just one piece. That’s part of the fun.
-
Respect Nature: Only collect loose items washed ashore. Don’t dig into dunes, cliffs, or protected areas.
What to Do With Sea Pottery Finds
Honestly, I'm still trying to figure this out myself, but the beauty of sea pottery is that no two pieces are alike. Many collectors simply keep jars or bowls filled with their finds as decorative reminders of time spent by the sea. But sea pottery also lends itself to creative projects:
-
Mosaics: Combine different shapes and colors into a mosaic tabletop or garden decoration.
-
Jewelry: Small, well-shaped pieces can be wrapped in wire and turned into pendants or earrings.
-
Art Displays: Frame a collection of patterned shards for a unique piece of wall art.
-
Souvenirs: Carry home a handful from each beach as a tangible memory of your travels.

No comments
Post a Comment